Tin Toy Wind Up Airplane Flying Swing Carousel Merry go annular #MM262

Replica Tin Toy Wind Up Airplane Flying Swing Carousel Merry-go-round #MM262. This is abrand new made Tin Toy with wind up circumrotate motion of the hanging airplanes. Size is 5 3/8 x 4 1/8 inches. What is Tin Toy?? Tin toy is great gift to granny as it is an old fashion toy. Although it can be for a child, adults will appreciate these items far more, and so adults are the ones whom these toys are really for. They are no impact-proof, wear resisting items like the modern plastic toys; instead they are made of metal sheet, and operate by a delicate wind up mechanism. Just as some of us might remember them from our childhood, these items don't stand up too well to use and abuse, and better belong to the display case, where they serve as reminder of our childhood.

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All About the Gregory Forester Backpack

Find great deals and discounts on all sorts of camping gear and equipment like the Gregory Forester Backpack. Wayne Gregory designed his first backpack as part of a boy scout project. Since then he has been noted for innovation, ergonomic design, and an eye for quality. One of the many great developments Gregory backpacks have is the Gregory Active Suspension System because it combines the load support of an external pack with the flexibility and comfort of an internal pack.

The Forester Backpack is an overnight pack for carrying up to 40 pounds. The top, front and bottom openings keep your gear organized and accessible. It features YKK water resistant top pocket zipper is horseshoe shaped for easy access to the pocket's contents, mesh side pockets store a water bottle and other essentials while hiking to the camp, 210 d "double box" Cordura® nylon is lightweight and durable and Shelter·Rite® bottom is waterproof and virtually tearproof.

This Gregory backpack weighs aprox. 4-5 lbs and comes in Lichen or Formula Red color. Some of the suspension features of this backpack gear include auto-cant harness system that rotates the shoulder harness angle to match your shoulder slope and neck width, dual-density Wilderness Waistbelt is precurved to eliminate wrinkles, escape harness is contoured to wrap comfortably over the shoulders and around the chest and a Flo-Form molded back panel makes this pack comfortable and has molded ventilation channels.

Find more information on your favorite Gregory backpacks online through camping and hiking forums with tips and websites that sell backpacks and more at cheap sale and discount prices.

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7 Minute Documentary (2009)

A picture video of a 7 minute documentary that I did for a Radio Documentary class that I took during my time at Seneca College in Toronto, Canada. The documentary is about music and fashion, and how it relates to society. Special Thanks Goes To: Justin Slevin Brandon Yam Instrumentals Used: Page Ft. Drake - I'm Still Fly Lloyd Banks - On Fire Credits Go To: Universal Music Group G-Unit Records Interscope Records Shady Records Aftermath Entertainment Cash Money Records Young Money Entertainment Mannie Fresh Brian "Baby" Williams Big Tymers Page Drake Lloyd Banks Kwame Holland Eminem No Copyright Infringement Intended. (C) Copyright 2009, King Leo Productions

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OMG - The Victoria's Secret Fashion Show HD

Adriana Lima, Gisele Bundchen, Angela Rivaldi, Karolina Kurkova, Alessandra Ambrosio, Miranda Kerr

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Get the Best Dressing Hints From Fashion Magazines

One of the important factors of a fashion magazine is that it helps to determine why certain materials are used for certain styles. You will find that two or more materials are used at times in styling an outfit. A wise designer planning an outfit for herself will not be inclined towards a material simply because she likes the texture and the fall of the material. This is where fashion magazines help you to select the right kind of material for the design of your choice.

While designing a garment, certain materials are used for certain sections of the garment and not simply whatever may catch your fancy. For example crepes are manufactured to be used for clinging styles and not fluffed up designs. Materials such as taffetas, organdies and crisp batistes are used in suit styles where fluffs are involved, as against the crepes, which are used for the clinging styles. A very important point to be observed is that fabrics are designed to suit styles and styles to suit fabrics.

Color Suggestions

Studying individual designs helps in making the right selection of pattern and material. Then comes the choice of color to be adapted to the lines of the garment and the fabric used. The end result will be a pleasing and appealing garment.

A factor to be considered, though, when choosing colors, is that the color portrayed in the fashion plates will not be an absolute replica of the color produced by the textile manufacturer. Neither would a true outline of the garment as it will appear with fabric, be presented in the magazine by fashion designers.

However, it is possible to get suggestions from the color plates shown in fashion magazines, once you have understood about lines. Keeping this knowledge on lines in mind, you will be able to give prominence to a color that will most effectively bring out the garment. You will be able to bring out the soft, silent tones or tints of a color where desired, while you choose a fabric that will best bring out the lines suggested by the designer in a fashion drawing.

Interpreting Fashions

In the market, you will find a number of fashion magazines that suggest only style tendencies, color and fabric combinations. Such magazines will still be of value, if you have studied patterns and lines. It will help you with ideas and suggestions to incorporate in your garments.

In most cases, you would be able to apply these ideas even more successfully than the artist himself in his drawings. You would be able to bring out the practicability of the garment by adapting it to the material to give a harmonious outline to suit you.

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Building a Team? Think Snow!

As a child, I was mesmerized by what I learned about snowflakes. On those rare days of snowfall in the southern United States, I watched millions of tiny flakes falling, knowing that each was unique. Wise adults taught me that people were like snowflakes - each of us a unique individual. I learned to value the differences, even celebrate them.

Yet, when I think of snow now, I rarely focus on individual snowflakes. It's not the crystalline structure of each flake that captures my imagination, but the blankets of silent whiteness, the happiness of packing snow into a jolly snowman, and the power of an avalanche. As unique as each snowflake is, I'm more drawn to the image of all of those snowflakes combined, joined into something bigger.

The still, sparkling surface of snow in moonlight, the round, frozen belly of the snowman, and the awesome power of the avalanche exist because all those snowflakes, different though they may be, stick together. Their elemental nature, what they have in common, binds them. Side by side and moving in the same direction, they combine to become more than the sum of the parts.

And so it is with us. Each of us is unique and that individuality is beautiful and a cause for celebration. But when it's time to get things done, it's the setting aside of our differences and joining together that does the work. We become more than a collection of unique individuals. For all of our uniqueness, we are made of the same stuff, and focusing on our common nature empowers us. We become a team and the job gets done.

If you want to build a powerful, effective team, think snow. Like snowflakes, our differences make us interesting, but it's our sameness that makes us powerful.

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How to Tea Dye

If you're looking for a little help on how to tea dye, you've come to the right place. But first - why tea dye?

Sometimes I wake up way before dawn and I want to make a doll or a Christmas ornament right NOW! I live at least 40 minutes from the closest fabric store and they're not even open yet. While I might not always have commercially tea dyed muslin on hand to make my bunnies and reindeers, I always have yards and yards of the regular bleached and unbleached muslin that I can convert to the perfect color with tea dye.

Other Reasons to Tea Dye:
1. It's an easy and inexpensive way to mute down fabrics that look too bright or too new.
2. It's a way of bringing together unrelated fabrics.
3. It's a way to make any fabric look older or more antique.
4. It can mask minor stains.
5. The tea dye process is more forgiving than mordant dying, although not as predictable.
6. The tea dye is non-toxic.
7. It doesn't irritate skin.
8. It can be done in stages: dye it, dry it and if you're not happy with the result, dye it again or bleach it out.

Tea Dye Quirks:
1. Tea dye only works on natural fibers such as cotton, silk, linen, wool. It should also work on satin (woven from silk) and rayon. I have never tried it on rayon, but in general, rayon takes dyes very well.
2. It can be difficult to get large pieces of fabric to tea dye evenly. But personally, I like the subtle mottled look and sometimes the uneven coloration is perfect for the project at hand.
3. Tea-dying will NOT take a white fabric to off white, eggshell or ecru. It is a color all its own -- a shade of rusty brown - although it can be very light.
4. One lovely trait of tea dying is that if you're not happy with the color, you can let it sit longer (for darker and more intense results) or you can mix a little bleach in the rinse water to lighten or remove the color.
5. Once the tea dye is set, it is semi permanent. That means that the color won't wash out easily, but it may come out when washed with a bit of bleach or an "oxy-clean" type product. While I wouldn't use tea dye for t-shirts or other clothing that will get washed frequently, it's perfect for the tenderly treated items like dolls and quilts.
6. Don't confuse tea-dying with tea staining. Tea dying is when an item will be submersed in a tea dye bath. Tea staining is done by applying the tea dye with a rag or paint brush.
7. Tea dyed fabric will dry lighter than it appears when wet.
8.Matching one batch of tea dyed muslin to another is almost impossible. Make sure you do enough yardage to complete your project.

Tea Dying Instructions:
First, gather the materials needed.
o Natural fibered fabric or items (gloves, lace, floss)
o Tea bags (orange pekoe or black pekoe. Use the cheapest bag tea that you can find)
o Boiling water
o Glass or stainless steel container

It's a good habit to start any dying project by washing the item/yardage with a mild detergent and rinsing it in cool water. This ensures that the sizing is washed out and won't inhibit the item from taking on the dye as evenly as possible. Let it sit in the cool water as you make the tea dying mixture.

Start by boiling water. A general rule of thumb is 4 cups of water for 1 yard of fabric. When the water boils, remove from the heat.

Add 2 tea bags for every 8 ounces of water. So for 4 cups of water, you'll need eight tea bags. That will make enough tea dye to tint one yard of fabric.

Let the tea bags soak for 5 minutes. DO NOT ADD THE FABRIC YET.

After the steeping, your tea dye concoction should be a very dark reddish brown. Pull out the tea bags. Depending on the quality of the bag, you can gently squeeze it to get out the last bit of tea, but be careful the bag doesn't break and drop bits of soggy leaves into your tea bath.

Take the wet yardage and gently squeeze out the excess. You don't want to add so much water that it dilutes the tea dye. Submerge it into the tea. For a more even dying, gently swish and swirl your fabric periodically. However, if you want your fabric to take the dye unevenly for a more interesting look, just leave it creased and wadded.

When you think your fabric is dark enough, remove it from the tea dye mixture and rinse in cool water. During the rinsing process, a lot of the color will flush out. The lovely thing about tea dying is that you can go ahead and drop it back in to the dye if you want it darker.

There are two ways to set the color.
1. Fill another container with fresh water. Make sure the container is big enough to hold your tea dyed fabric. For every gallon of water, add ½ cup of white vinegar. Let your fabric sit in this mix for about 15 minutes. Then rinse the fabric and press it dry.
2. When you achieve the color you want, toss the fabric in the dryer set on its highest setting. When it's almost dry, remove it and smooth it out with an iron set at the hottest temperature the fabric can handle.

There is only one caveat that I've ever heard about tea dying: The pronounced amount of tannin in the tea dye can compromise the fibers of the fabric and it will rot away. The tannin will supposedly cut the longevity of the fabric to 30-40 years.

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